Please use this identifier to cite or link to this item: https://hdl.handle.net/11499/26369
Full metadata record
DC FieldValueLanguage
dc.contributor.authorTan, Cenk-
dc.date.accessioned2019-09-30T07:44:01Z
dc.date.available2019-09-30T07:44:01Z
dc.date.issued2014-06-20-
dc.identifier.citationTan, C. (2014). David Mitchell’s Cloud Atlas: A Multitude of Iconic Signs (M.A. Thesis, Pamukkale University, Denizli, Turkey).en_US
dc.identifier.urihttps://hdl.handle.net/11499/26369-
dc.description.abstractSemiotic elements pertaining to Marxist and anti-consumerist theory that are embedded in David Mitchell's Cloud Atlas forms the main topic of this thesis. Thanks to its perfectly constructed postmodern structure and its coherent themes, Cloud Atlas could be regarded as one of the most striking and thought-provoking novels of the 21st century British fiction. Although the novel consists of six stories that are completely disparate in terms of content, setting, location and genre, David Mitchell ultimately manages to create a unified whole; a grand story conveying a general message out of these six different narratives. Chapter one presents Marxist literary theory in detail with its most prominent theorists and philosophers such as Marx, Gramsci, Althusser and Terry Eagleton. Closely connected to Marxism, this chapter also scrutinizes consumerism from a Marxist perspective by referring to texts and theories from philosophers Jean Baudrillard and Zygmunt Bauman. Chapter two contains a detailed analysis of semiotics as a study and approach to literary texts. The study of semiotics is presented with the founding philosopher Charles Sanders Peirce and his successors Charles Morris, Ferdinand de Saussure and finally the contemporary author Umberto Eco. The third and last chapter begins with a general semiotic analysis of Cloud Atlas through which the connection between its semiotic structure and its general themes and ideology is revealed. In the same chapter, the specific semiotic signs that help contribute to the novel's Marxist-consumerist ideology are exposed. The purpose of this thesis is to analyse the semiotic characteristics in David Mitchell's Cloud Atlas in terms of Marxist literary theory, mainly within the scope of the theme of oppression and struggle for change. To that end, this study aims to expose the specific semiotic signs that are embedded within the novel. Key Words: 21st Century British Novel, Dystopian fiction, Semiotics, Signs, Icons, Symbols, Consumerism, Science Fiction, David Mitchell, Cloud Atlas.en_US
dc.language.isoenen_US
dc.publisherPamukkale University The Institute of Social Studiesen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subject21st Century British Novel, Dystopian fiction, Semiotics, Signs, Icons, Symbols, Consumerism, Science Fiction, David Mitchell, Cloud Atlas.en_US
dc.titleDavid mitchell's cloud atlas: A multitude of iconic signsen_US
dc.typeMaster Thesisen_US
dc.authorid0000-0003-2451-3612-
dc.relation.publicationcategoryTezen_US
dc.identifier.yoktezid364740en_US
dc.ownerPamukkale University-
item.openairetypeMaster Thesis-
item.grantfulltextopen-
item.cerifentitytypePublications-
item.fulltextWith Fulltext-
item.languageiso639-1en-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
crisitem.author.dept35.01. Foreign Languages-
Appears in Collections:Tez Koleksiyonu
Files in This Item:
File Description SizeFormat 
364740.pdfDAVID MITCHELL’S CLOUD ATLAS: A MULTITUDE OF ICONIC SIGNS1.92 MBAdobe PDFThumbnail
View/Open
Show simple item record



CORE Recommender

Page view(s)

354
checked on Mar 4, 2025

Download(s)

218
checked on Mar 4, 2025

Google ScholarTM

Check





Items in GCRIS Repository are protected by copyright, with all rights reserved, unless otherwise indicated.