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Title: | Labraunda açık hava kült alanı | Other Titles: | Open air cult area in Labraunda | Authors: | Söğüt, Bilal Şimşek, Celal Baldıran, Asuman |
Keywords: | Kült Labraunda Kybele Zeus Niş Kapı Basamak Niches Door Stair Cult |
Abstract: | Labraunda, connected to the ancient city of Mylassa, was a, sacred religious center for the Car:ia region. The rema.in.s a.re situated in the northeast side of the sacred area between and in front of two large rocks that rise approximately 10-15 m height. Among the ruins are several small niches cut into the rocks, one big niche, a door, stairs, a channel for libations. In addition, several sitting places might be mentioned. The fact that the Labraunda was built into rocks and that the cult area was entered through rocks, links the site with Yazılıkaya, another religious site situated in a naturally rocky environments. The Labraunda cult area, therefore, has many similarities with monuments chiseled into rock façades and those, in particular, built in forest tor the Goddess Kybele. Since the Bronze Age, it is an Anatolian tradition to built monuments and produce reliefs near the natural water sources. Labraunda followed this tradition; it was built on the high rocks near the egion 's main water source, similato the sacred area of Eumeneia, Kybele in Phıygia. In Labraunda, like the open-air temple of Karamsar, the monuments caıved rocks were grouped together to form a religious center. The Labraunda ruins are indicative of an old and native Anatolian tradition. An explanation for the Classic Period's use of the cult area -dedicated to the God Zeus-is the pre-exi.sting veneration of the same space. Carians worshiped their Gods, like the Urartians and the Phrygians, through nature, through water source and natural stone. A door cut into rock, an alta.r with stairs, and indeed the entire sacred a.rea was constıucted to demonstı-ate the power of the God. The Labraunda cult area represents a synthesis between the Urartian Culture in the East, the Phrygian Culture in the Mi.ddle West, and the Ionian Culture along the Aegean. This synthesis is alsa represented in attributes of statues, such as the Goddess Artemis in Ephesus and on Zeus in Labraunda. | URI: | https://hdl.handle.net/11499/27095 |
Appears in Collections: | Fen-Edebiyat Fakültesi Koleksiyonu TR Dizin İndeksli Yayınlar Koleksiyonu / TR Dizin Indexed Publications Collection |
Files in This Item:
File | Description | Size | Format | |
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Sogut_B.-Simsek_C-Baldiran_A._Labraunda.pdf | Makale dosyası | 6.38 MB | Adobe PDF | View/Open |
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