Please use this identifier to cite or link to this item: https://hdl.handle.net/11499/27095
Title: Labraunda açık hava kült alanı
Other Titles: Open air cult area in Labraunda
Authors: Söğüt, Bilal
Şimşek, Celal
Baldıran, Asuman
Keywords: Kült
Labraunda
Kybele
Zeus
Niş
Kapı
Basamak
Niches
Door
Stair
Cult
Abstract: Labraunda, connected to the ancient city of Mylassa, was a, sacred religious center for the Car:ia region. The rema.in.s a.re situated in the northeast side of the sacred area between and in front of two large rocks that rise approximately 10-15 m height. Among the ruins are several small niches cut into the rocks, one big niche, a door, stairs, a channel for libations. In addition, several sitting places might be mentioned. The fact that the Labraunda was built into rocks and that the cult area was entered through rocks, links the site with Yazılıkaya, another religious site situated in a naturally rocky environments. The Labraunda cult area, therefore, has many similarities with monuments chiseled into rock façades and those, in particular, built in forest tor the Goddess Kybele. Since the Bronze Age, it is an Anatolian tradition to built monuments and produce reliefs near the natural water sources. Labraunda followed this tradition; it was built on the high rocks near the egion 's main water source, similato the sacred area of Eumeneia, Kybele in Phıygia. In Labraunda, like the open-air temple of Karamsar, the monuments caıved rocks were grouped together to form a religious center. The Labraunda ruins are indicative of an old and native Anatolian tradition. An explanation for the Classic Period's use of the cult area -dedicated to the God Zeus-is the pre-exi.sting veneration of the same space. Carians worshiped their Gods, like the Urartians and the Phrygians, through nature, through water source and natural stone. A door cut into rock, an alta.r with stairs, and indeed the entire sacred a.rea was constıucted to demonstı-ate the power of the God. The Labraunda cult area represents a synthesis between the Urartian Culture in the East, the Phrygian Culture in the Mi.ddle West, and the Ionian Culture along the Aegean. This synthesis is alsa rep­resented in attributes of statues, such as the Goddess Artemis in Ephesus and on Zeus in Labraunda.
URI: https://hdl.handle.net/11499/27095
Appears in Collections:Fen-Edebiyat Fakültesi Koleksiyonu
TR Dizin İndeksli Yayınlar Koleksiyonu / TR Dizin Indexed Publications Collection

Files in This Item:
File Description SizeFormat 
Sogut_B.-Simsek_C-Baldiran_A._Labraunda.pdfMakale dosyası6.38 MBAdobe PDFView/Open
Show full item record



CORE Recommender

Page view(s)

56
checked on Mar 27, 2024

Download(s)

48
checked on Mar 27, 2024

Google ScholarTM

Check





Items in GCRIS Repository are protected by copyright, with all rights reserved, unless otherwise indicated.