Please use this identifier to cite or link to this item: https://hdl.handle.net/11499/6765
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dc.contributor.authorBeykal Orhun, Feryal-
dc.date.accessioned2019-08-16T12:10:37Z
dc.date.available2019-08-16T12:10:37Z
dc.date.issued2009-
dc.identifier.issn1877-0428-
dc.identifier.urihttps://hdl.handle.net/11499/6765-
dc.identifier.urihttps://doi.org/10.1016/j.sbspro.2009.01.121-
dc.description.abstractThe aim of this study is determining the right approach of discipline in accessing a desired discipline in the classroom by randomly chosen five visual art course teachers. The study is a descriptive work performed in scanning method. Through this study, it is aimed to detect disciplinary approaches used in class by visual arts teachers. The sample is limited with 128 students 6th year in the spring season of the year 2007-2008 at 5 X primary schools and five visual arts teachers within Denizli City Center, only two of which have visual art classrooms. In the light of such evaluations, certain findings have been reached as to teaching methods used by visual arts teachers in the forty-minute course period in which a number of theoretical and practical subjects and duration sampling table obtained through observation and record analyses have been depicted. As a result of the data reached, it has been clarified that a mixture of teaching approaches would seem to be the best way to follow, as each student gains in different ways. For this reason, all different teaching methods provide variable training opportunities for each. In addition, students may easily get bored of direct method and get less level of knowledge then desired one. At this point, as a visual art educator I can state that knowledge should be presented in interactive and communicative approach, by which they will feel to be part of the education process. Most of the learners in this study have already indicated the best advancement possible through the communicative approach during this period. As a result, two people are not likely to comprehend the same material in the same level, so educators must be flexible and know how to melt various training manners and all types of learners in one pot. © 2009.en_US
dc.language.isoenen_US
dc.relation.ispartofProcedia - Social and Behavioral Sciencesen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectdisciplineen_US
dc.subjecteducaitonen_US
dc.subjecttraining and teaching styleen_US
dc.subjectVisual Arten_US
dc.titleTraining & teaching style in accessing a desired classroom discipline at visual art coursesen_US
dc.typeArticleen_US
dc.identifier.volume1en_US
dc.identifier.issue1en_US
dc.identifier.startpage692
dc.identifier.startpage692en_US
dc.identifier.endpage696en_US
dc.authorid0000-0003-2739-1745-
dc.identifier.doi10.1016/j.sbspro.2009.01.121-
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.identifier.scopus2-s2.0-67649280117en_US
dc.identifier.wosWOS:000275580400115en_US
dc.identifier.scopusquality--
dc.ownerPamukkale University-
item.openairetypeArticle-
item.fulltextWith Fulltext-
item.languageiso639-1en-
item.cerifentitytypePublications-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.grantfulltextopen-
crisitem.author.dept09.06. Fine Arts Education-
Appears in Collections:Eğitim Fakültesi Koleksiyonu
Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection
WoS İndeksli Yayınlar Koleksiyonu / WoS Indexed Publications Collection
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